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Title: 100 Broken Windows
By: Idlewild
Released by: Capitol
Released on: March 13, 2001
Rating (out of 10): 6
Date: 02/20/2002

Idlewild's Dirty Little Secret

I’ve always wanted to be a private detective, so sometimes I pretend. My favorite recurring moment in my double-life as a private detective comes when I wake up, having fallen asleep at my desk after a destructive bender, and I look down through the magnifying bottom of my empty rocks glass at the picture that happens to be the one vital clue in whatever important case I happen to be working on at the time. Before this moment, I’ve usually come to a standstill with the case at hand and I can’t figure out what exactly the picture keeps trying to tell me that will undoubtedly solve the entire case—I only know that the picture must be trying to tell me something. Then, invariably, when I wake up that fateful morning, hung-over as shit, and I look through my glass I see something I’ve never noticed before. I see the answer.
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This week I’ve been working on the case of Why I Can’t Enjoy Idlewild’s 100 Broken Windows Nearly As Much As Other People Claim To. Idlewild are a harmless enough band from Scotland who generated a decent amount of buzz when Capitol Records wouldn’t release 100 Broken Windows over here in America. The rock magazine cognoscenti immediately leapt to the band’s aid, naming them a powerful new force in alternative rock, the third coming of punk rock and, of course, The Next Big Thing. Now, I don’t mind hype. Actually, I kinda like it. I like to get excited about a new band that I know nothing about other than what I read in the hipster music magazines. But after listening to 100 Broken Windows a decent amount of times over the course of 2001, something bugged me—a lingering something that, until this morning, I couldn’t put my finger on. So I decided to get really, really drunk.

Then it happened: my favorite moment. I woke up this morning and looked down through the magnifying bottom of my empty rocks glass, which had been squarely positioned beforehand upon the picture of Roddy Wobble (nifty name, eh?), Idlewild’s vocalist. And, just like I knew I would, I noticed for the first time a piece of paper sticking out of Wobble’s pocket. (“Wobble’s pocket”—don’t you just love the way that sounds?) When I broke out my real detective-like magnifying glass and looked closer, I noticed that the slip of paper had something written on it:

“HOW TO BECOME A COMPLETELY DERIVATIVE BUT CRITICALLY LOVEABLE BAND IN 5 EASY STEPS”

Curious as to the contents of the pamphlet, I immediately began to research. I had to make myself vomit first, in some attempt to shake my vicious hangover, but soon I found myself on the internet at www.justaddwater.com/topic-indieband, the publishers of instructional manuals for budding musicians, including “How to Get Away With Jacking the Pixies’ Sound,” “Make Your Rhymes Like Biggie Smalls Without Even Having to Sell Crack,” and, of course, Wobble’s tome. It immediately struck me how responsible that little pamphlet had been in developing Idlewild’s sound, as it advocated the following:
1) When choosing bands to rip off—or “pay homage to,” as we like to say here at justaddwater—do your research carefully. Note how many Pearl Jam and Radiohead homage bands already exist. Don’t be one of them. Instead, choose a band that doesn’t have a current rabid following, but still never lost credibility. For example, old R.E.M. guitar riffs (circa the early 1980s) are a goldmine! Also, it’s okay to incorporate a little My Bloody Valentine into your sound. Everybody else has, and nobody’s been caught yet!

2) Make sure you use obtuse lyrics like “Gertrude Stein said that’s enough” and “If you’re not real, you’re postmodern.” That way, critics will feign acknowledgement of your “deeper meaning” in order to avoid looking sheepish. Joke’s on them! There is no deeper meaning! (By the way, feel free to use the lyrics provided above free of charge. You don’t even have to give justaddwater.com a songwriting credit—it’s all nonsense anyway!)

3) Polish your angst. All indie rock bands need their angst in order to connect with their target audience: the cigarette-smoking, tattooed hipsters wallowing in their own self-pity. Unfortunately, angst is something that cannot be faked, and it will give you your much-needed punk rock edginess. Angst is what separates the Belle and Sebastians from the Tortoises of the world. You may have to slap yourself around a little and drink some Vermouth to work yourself up, but make sure that the angst is not only included in your music, but really real.

4) In addition to your obtuse lyrics, have some pseudo-meaningful hooks that the kids can sing along with, in the style of Radiohead’s “Karma Police” when they sing “This is what you get when you mess with us.” Little maxims like that one are so ambiguous that your listeners will give them meaning—practically doing the work for you! Try this one: “You’ve had bad luck/ And I know what it feels like to have bad luck.” Remember to sound angsty on the choruses! Angst lends credibility.

5) Finally, get political. Critics and fans alike are suckers for a Cinderella story. Have trouble getting your album released! Be from a unique part of the world/country! (But try to avoid being from Iceland--they’re just getting too hip for their own good.) Become a raging alcoholic! Or, better yet, a raging egotist! Do whatever you can to detract attention away from your music—because, when it comes down to it, all music is interchangeable, anyway—and attract attention to the band as a marketable commodity. The kids’ll love you for it!
A quick note at the bottom of the justaddwater.com web page read simply “Tell No One You’ve Been Here.” Apparently, they can’t have this information getting into the hands of actual, uniquely talented musicians, because that might just kill it for the rest of us. But I have a feeling that as long as justaddwater.com sticks around there’ll be more than enough cookie-cutter indie bands for us to wallow in.

Oddly enough, though, once I closed the case of Why I Can’t Enjoy Idlewild’s 100 Broken Windows Nearly As Much As Other People Claim To, I could enjoy the album a little bit more than before. I just keep telling myself that Idlewild must have always wanted to be R.E.M., so sometimes they pretend. And that makes it all O.K.

© Copyright CultureDose.com 02/20/2002

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